Thursday, December 4, 2008

"Reading Lolita in Tehran" Discussion Questions for December 10, 2008 Book Group Meeting


DISCUSSION QUESTIONS for "Reading Lolita in Tehran" by Azar Nafisi
These questions are provided by the publisher:

1. On her first day teaching at the University of Tehran, Azar Nafisi began class with the questions, “What should fiction accomplish? Why should anyone read at all?” What are your own answers? How does fiction force us to question what we often take for granted?

2. Yassi adores playing with words, particularly with Nabokov’s fanciful linguistic creation upsilamba (18). What does the word upsilamba mean to you?

3. In what ways had Ayatollah Khomeini “turned himself into a myth” for the people of Iran (246)? Also, discuss the recurrent theme of complicity in the book: that the Ayatollah, the stern philosopher-king, “did to us what we allowed him to do” (28).

4. Compare attitudes toward the veil held by men, women and the government in the Islamic Republic of Iran. How was Nafisi’s grandmother’s choice to wear the chador marred by the political significance it had gained? (192) Also, describe Mahshid’s conflicted feelings as a Muslim who already observed the veil but who nevertheless objected to its political enforcement.

5. In discussing the frame story of A Thousand and One Nights, Nafisi mentions three types of women who fell victim to the king’s “unreasonable rule” (19). How relevant are the actions and decisions of these fictional women to the lives of the women in Nafisi’s private class?

6. Explain what Nafisi means when she calls herself and her beliefs increasingly “irrelevant” in the Islamic Republic of Iran. Compare her way of dealing with her irrelevance to her magician’s self-imposed exile. What do people who “lose their place in the world” do to survive, both physically and creatively?

7. During the Gatsby trial Zarrin charges Mr. Nyazi with the inability to “distinguish fiction from reality” (128). How does Mr. Nyazi’s conflation of the fictional and the real relate to theme of the blind censor? Describe similar instances within a democracy like the United States when art was censored for its “dangerous” impact upon society.

8. Nafisi writes: “It was not until I had reached home that I realized the true meaning of exile” (145). How do her conceptions of home conflict with those of her husband, Bijan, who is reluctant to leave Tehran? Also, compare Mahshid’s feeling that she “owes” something to Tehran and belongs there to Mitra and Nassrin’s desires for freedom and escape. Discuss how the changing and often discordant influences of memory, family, safety, freedom, opportunity and duty define our sense of home and belonging.

9. Fanatics like Mr. Ghomi, Mr. Nyazi and Mr. Bahri consistently surprised Azar by displaying absolute hatred for Western literature — a reaction she describes as a “venom uncalled for in relation to works of fiction.” (195) What are their motivations? Do you, like Nafisi, think that people like Mr. Ghomi attack because they are afraid of what they don’t understand? Why is ambiguity such a dangerous weapon to them?

10. The confiscation of one’s life by another is the root of Humbert’s sin against Lolita. How did Khomeini become Iran’s solipsizer? Discuss how Sanaz, Nassrin, Azin and the rest of the girls are part of a “generation with no past.” (76)

11. Nafisi teaches that the novel is a sensual experience of another world which appeals to the reader’s capacity for compassion. Do you agree that “empathy is at the heart of the novel”? How has this book affected your understanding of the impact of the novel?

Thursday, October 16, 2008

Discussion Questions for "Three Cups of Tea"


DISCUSSION QUESTIONS for "Three Cups of Tea"
These questions are provided by the publisher:

1. There is a telling passage about Mortenson’s change of direction at the start of the book: “One evening, he went to bed by a yak dung fire a mountaineer who’d lost his way, and one morning, by the time he’d shared a pot of butter tea with his hosts and laced up his boots, he’d become a humanitarian who’d found a meaningful path to follow for the rest of his life.” What made Mortenson particularly ripe for such a transformation? Has anything similar happened in your own life?

2. Relin gives a “warts and all” portrait of Mortenson, showing him as a hero but also as a flawed human being with some exasperating traits. Talk about how Relin chose to write about Mortenson’s character—his choice of details, his perspective, the way he constructs scenes. Is Mortenson someone you’d like to get to know, work with, or have as a neighbor or friend?

3. At the heart of the book is a powerful but simple political message: we each as individuals have the power to change the world, one cup of tea at a time. Yet the book powerfully dramatizes the obstacles in the way of this philosophy: bloody wars waged by huge armies, prejudice, religious extremism, cultural barriers. What do you think of the “one cup of tea at a time” philosophy? Do you think Mortenson’s vision can work for lasting and meaningful change?

4. Have you ever known anyone like Mortenson? Have you ever had the experience of making a difference yourself through acts of generosity, aid, or leadership?

5. The Balti people are fierce yet extremely hospitable, kind yet rigid, determined to better themselves yet stuck in the past. Discuss your reactions to them and the other groups that Mortenson tries to help.

6. After Haji Ali’s family saves Greg’s life, he reflects that he could never “imagine discharging the debt he felt to his hosts in Korphe.” Discuss this sense of indebtedness as key to Mortenson’s character. Why was Mortenson compelled to return to the region again and again? In your opinion, does he repay his debt by the end of the book?

7. References to paradise run throughout the book—Mortenson’s childhood home in Tanzania, the mountain scenery, even Berkeley, California, are all referred to as “paradise.” Discuss the concept of paradise, lost and regained, and how it influences Mortenson’s mission.

8. Mortenson’s transition from climbing bum to humanitarian hero seems very abrupt. However, looking back, it’s clear that his sense of mission is rooted in his childhood, the values of his parents, and his relationship with his sister Christa. Discuss the various facets of Mortenson’s character—the freewheeling mountain climber, the ER nurse, the devoted son and brother, and the leader of a humanitarian cause. Do you view him as continuing the work his father began?

9. “I expected something like this from an ignorant village mullah, but to get those kinds of letters from my fellow Americans made me wonder whether I should just give up,” Mortenson remarked after he started getting hate mail in the wake of September 11. What was your reaction to the letters Mortenson received?

10. Mortenson hits many bumps in the road—he’s broke, his girlfriend dumps him, he is forced to build a bridge before he can build the school, his health suffers, and he drives his family crazy. Discuss his repeated brushes with failure and how they influenced your opinion of Mortenson and his efforts.

11. The authors write that “the Balti held the key to a kind of uncomplicated happiness that was disappearing in the developing world.” This peaceful simplicity of life seems to be part of what attracts Mortenson to the villagers. Discuss the pros and cons of bringing “civilization” to the mountain community.

12. Much of the book is a meditation on what it means to be a foreigner assimilating with another culture. Discuss your own experiences with foreign cultures—things that you have learned, mistakes you have made, misunderstandings you have endured.

13. Did the book change your views toward Islam or Muslims? Consider the cleric Syed Abbas, and also the cleric who called a fatwa on Mortenson. Syed Abbas implores Americans to “look into our hearts and see that the great majority of us are not terrorists, but good and simple people.” Discuss this statement. Has the book inspired you to learn more about the region?

Wednesday, September 10, 2008

Discussion Questions for "Kabul Beauty School"


Please read the book before reading the discussion questions! These questions are provided by the publisher:


1.
We so often think of ourselves as more socially advanced than Middle Eastern nations. What does it say about this assumption that the author was treated by a preacher husband in the US the same way that Nahhida, wife of a Taliban member, is treated in Afghanistan?

2. Did Debbie take a chance of repeating her abusive history by marrying a relatively unknown man from a culture with a reputation for mistreating women?

3. Were you shocked when she revealed that her husband had another wife?

4. Why do you think Debbie was so emotional upon meeting Sam's father? Would you have been eager to meet him or preferred not to? Were you surprised at his reaction?

5. As a mother of two, was Debbie irresponsible in taking risks like crossing the Khyber pass and confronting her neighbors? Should she have gone to Afghanistan at all, knowing the conditions in the country?

6. Debbie's "bad" neighbors were potentially dangerous. What would you have done in her situation? How would the ineffectiveness of the local police make you feel?

7. Was it foolish for Debbie to continue running the beauty school in the face of government interference and hostility?

8. Debbie goes to Afghanistan in order to change the lives of women there and give them greater power in their personal lives, a mission that she has fulfilled for many women. How have these women changed her?

9. Does the example of a strong self-sufficient woman Debbie sets for the Afghan women provide them with helpful inspiration or does it set a dangerous precedent, encouraging them to model behaviors and aspirations that might be dangerous to them in their environment?

10. Would you have let a known Taliban member, and opium addict at that, stay under your roof in order to help his wife? How dangerous do you think this decision really was?

11. Why do you think Hama was unable to follow through and accept the generous offer of a place to live and a new life in the US?

12. How would you have reacted if your son offered to marry Hama? Would you have encouraged him? Argued against it?

13. How do you think American women are similar to and, at the same time, different from the Afghan women Debbie befriended and works with?

14. Did it surprise you to read about some of the frank discussions and depictions of sex among the Afghan women at the beauty salon and the wedding that Debbie attended?

15. Do you think it was wise for Debbie to help Roshanna escape detection as a non-virgin on her wedding night? Would you have chosen to interfere? Why or why not?

Monday, September 8, 2008

"Eat Pray Love" Discussion Questions


Please join us for our first discussion of the 2008/09 year, "Eat, Pray, Love" by Elizabeth Gilbert. We meet the second Wednesday of every month at 2pm. All are welcome.


The following are discussion questions courtesy of the publishers:

DISCUSSION QUESTIONS

1. Gilbert writes that “the appreciation of pleasure can be the anchor of humanity,” making the argument that America is “an entertainment-seeking nation, not necessarily a pleasure-seeking one.” Is this a fair assessment?

2. After imagining a petition to God for divorce, an exhausted Gilbert answers her phone to news that her husband has finally signed. During a moment of quietude before a Roman fountain, she opens her Louise Glück collection to a verse about a fountain, one reminiscent of the Balinese medicine man’s drawing. After struggling to master a 182-verse daily prayer, she succeeds by focusing on her nephew, who suddenly is free from nightmares. Do these incidents of fortuitous timing signal fate? Cosmic unity? Coincidence?

3. Gilbert hashes out internal debates in a notebook, a place where she can argue with her inner demons and remind herself about the constancy of self-love. When an inner monologue becomes a literal conversation between a divided self, is this a sign of last resort or of self-reliance?

4. When Gilbert finally returns to Bali and seeks out the medicine man who foretold her return to study with him, he doesn’t recognize her. Despite her despair, she persists in her attempts to spark his memory, eventually succeeding. How much of the success of Gilbert’s journey do you attribute to persistence?

5. Prayer and meditation are both things that can be learned and, importantly, improved. In India, Gilbert learns a stoic, ascetic meditation technique. In Bali, she learns an approach based on smiling. Do you think the two can be synergistic? Or is Ketut Liyer right when he describes them as “same-same”?

6. Gender roles come up repeatedly in Eat, Pray, Love, be it macho Italian men eating cream puffs after a home team’s soccer loss, or a young Indian’s disdain for the marriage she will be expected to embark upon at age eighteen, or the Balinese healer’s sly approach to male impotence in a society where women are assumed responsible for their childlessness. How relevant is Gilbert’s gender?

7. In what ways is spiritual success similar to other forms of success? How is it different? Can they be so fundamentally different that they’re not comparable?

8. Do you think people are more open to new experiences when they travel? And why?

9. Abstinence in Italy seems extreme, but necessary, for a woman who has repeatedly moved from one man’s arms to another’s. After all, it’s only after Gilbert has found herself that she can share herself fully in love. What does this say about her earlier relationships?

10. Gilbert mentions her ease at making friends, regardless of where she is. At one point at the ashram, she realizes that she is too sociable and decides to embark on a period of silence, to become the Quiet Girl in the Back of the Temple. It is just after making this decision that she is assigned the role of ashram key hostess. What does this say about honing one’s nature rather than trying to escape it? Do you think perceived faults can be transformed into strengths rather than merely repressed?

11. Sitting in an outdoor café in Rome, Gilbert’s friend declares that every city—and every person—has a word. Rome’s is “sex,” the Vatican’s “power”; Gilbert declares New York’s to be “achieve,” but only later stumbles upon her own word, antevasin, Sanskrit for “one who lives at the border.” What is your word? Is it possible to choose a word that retains its truth for a lifetime?

Wednesday, August 13, 2008

What We'll Be Reading Next

Today we closed out the summer portion of our reading group and we finished picking the titles for the upcoming 2008/09 year.


Titles for 2008/09
September 10, 2008 "Eat Pray Love" Elizabeth Gilbert
October 8, 2008 "Kabul Beauty School" by Deborah Rodriquez
November 12, 2008 "Three Cups of Tea" by Greg Mortenson and David Oliver Relin
December 10, 2008 "Reading Lolita in Tehran" by Azar Nafisi
January 14, 2009 "Conspiracy of Paper" by David Liss
February 11, 2009 " One Thousand White Women: the Journals of May Dodd" by Jim
Fergus
March 11, 2009 "Breakfast with Buddha" by Roland Merullo
April 8, 2009 Our Annual Poetry Reading. Bring your chosen poem to the March 11th
meeting for distribution to other group members.
May 13, 2009 "Animal Dreams" by Barbara Kingsolver
June 10, 2009 "The Stolen Child" by Keith Donohue


Please join us at 2pm on any or all of the above meeting dates!

Thursday, June 12, 2008

A Change in Plans.....

Our book group met yesterday and decided to "step it UP"! We will be reading "Strong Poison" by Dorothy Sayers AND "The Big Sleep" by Raymond Chandler for our July 9th meeting. And at our August 13th meeting, we will be discussing "Cover Her Face" by P.D. James along with another classic "The Sleeping Murder" by Agatha Christie! Please feel free to join us for any or all of our meetings.

Thursday, May 15, 2008

Reading This Summer

This summer our monthly afternoon book group will continue meeting and reading. In the past, we've taken the summer months off, but this year we thought it would be fun to do some lighter reading. Our list was confirmed at yesterday's meeting and is:

June 11th "Track of the Cat" Nevada Barr
July 9th "Strong Poison" Dorothy Sayers
August 13th "The Big Sleep" Raymond Chandler (we're watching the movie too!)
Sept. 10th "Cover Her Face" P.D. James

Join us for any or all of our summer meetings for great discussions and iced tea!